海明威是一個(gè)美國(guó)作家，曾一舉獲得諾貝爾文學(xué)獎(jiǎng)。他是一個(gè)文學(xué)造詣極高的作家，在全世界各地都有著他忠實(shí)的書(shū)迷粉絲。但在生前，他也曾受盡人們的詆毀和奚落，最終他選擇親手結(jié)束自己的生命。接下來(lái)就讓小編為大家?guī)��?lái)名人海明威在獲得諾貝爾講后所作的3分鐘的演講，讓我們一起來(lái)看看這篇英語(yǔ)演講稿吧。

原文：

No writer who knows the great writers who did not receive the Prize can accept it other than with hum ility. There is no need to list these writers. Everyone here may make his own list according to his knowledge and his conscience.

It would be impossible for me to ask the Ambassador of my country to read a speech in which a writer said all of the things which are in his heart. Things may not be immediately discernible in what a man writes, and in this sometimes he is fortunate; but eventually they are quite clear and by these and the degree of alchemy that he possesses he will endure or be forgotten.

Writing at its best is a lonely life. Organizations for writers palliate the writer's loneliness, but I doubt if they improve his writing. He grows in public stature as he sheds his loneliness and often his work deteriorates. For he does his work alone, and if he is a good enough writer, he must face eternity or the lack of it each day.

For a true writer, each book should be a new beginning where he tries again for something that is beyond attainment. He should always try for something that has never been done or that others have tried and failed. Then sometimes, with good luck, he will succeed.

How simple the writing of literature would be if it were only necessary write in another way what has been well to written. It is because we have had such great writers in the past that a writer is driven far out past where he can go, out to where no one can help him.

I have spoken too long for a writer. A writer should write what he has to say and not speak it.  

翻譯:

沒(méi)有一個(gè)作家,當(dāng)他知道在他以前不少偉大的作家并沒(méi)有獲得此獎(jiǎng)項(xiàng)的時(shí)候,能夠心安理得地領(lǐng)獎(jiǎng)而不感到受之有愧。這里無(wú)須一一列舉這些作家的名字。在座的每一位都可以根據(jù)學(xué)識(shí)和良心列出自己的名單。

要求我國(guó)的大使在這兒宣讀一篇演說(shuō),把一個(gè)作家心中所有的感受說(shuō)出來(lái)那是不可能的。一個(gè)人作品中的一些東西可能不會(huì)馬上被人理解,在這點(diǎn)上,他有時(shí)是幸運(yùn)的;但是這一切終究會(huì)十分清晰起來(lái),根據(jù)它們以及作家所具備的點(diǎn)石成金的本領(lǐng)之大小,他將青史留名或被人遺忘。

很多時(shí)候,寫(xiě)作是一種孤寂的生活。作家組織固然可以排遣他們的孤獨(dú),但是我懷疑它們是否能夠促進(jìn)作家的創(chuàng)作。一個(gè)在稠人廣眾之中成長(zhǎng)起來(lái)的作家,雖然可以免除孤苦寂寥之慮,但他的作品往往流于平庸。而一個(gè)在孤寂中工作的作家,如果他又確實(shí)不同凡響,那他就必須面對(duì)永恒或者面對(duì)缺乏永恒的每一夭。

對(duì)于一個(gè)真正的作家來(lái)說(shuō),每一本書(shū)都應(yīng)該成為他繼續(xù)努力獲得更高成就的新起點(diǎn)。他應(yīng)該不斷嘗試去做那些從來(lái)沒(méi)有人做過(guò)的或者他人做過(guò)卻失敗了的事。這樣他就可能有幸獲得成功。

如果僅僅是將已經(jīng)寫(xiě)好的作品換另一種方法來(lái)重新詮釋,那么文學(xué)創(chuàng)作就顯得太輕而易舉了。過(guò)去有過(guò)太偉大的作家以至于現(xiàn)在一個(gè)普通作家常被他們逼人的光樣驅(qū)趕到遠(yuǎn)離他可能到達(dá)的地方,陷于孤立無(wú)援的境地。

作為一個(gè)作家,我已經(jīng)講得太多了。作家應(yīng)該把他要說(shuō)的話寫(xiě)下來(lái),而不是說(shuō)出來(lái)。

「標(biāo)簽: 英語(yǔ)演講稿3分鐘」